Production

DIT & On-Set Color

Image and data integrity from the card to the timeline, with looks built on set to survive the finish.

Overview

On-set color is where the look is committed and the footage is protected. We manage the signal path, build show LUTs that hold through the grade, and keep redundant, verified copies of every card from the moment it leaves the camera.

Capabilities

  • Signal path and color space management
  • On-set look development and show LUTs
  • Dailies generation and color-managed proxies
  • Redundant offload and verified checksum backups
  • Metadata and report generation
  • Editorial assembly handover

Workflow

  1. 01

    Setup

    Signal path, color space, and redundancy scheme locked before the first take.

  2. 02

    Capture

    Live grading and look management with verified offload of every card.

  3. 03

    Dailies

    Color-managed proxies and assemblies generated with metadata intact.

  4. 04

    Handover

    Structured turnover to editorial, color, and archive.

Deliverables

  • On-set LUTs
  • Dailies and proxies
  • Verified backups
  • Camera reports

Start a project

Planning dit & on-set color?

Tell us about the work. We will tell you honestly what it takes to make it, and what it should cost.