Production
DIT & On-Set Color
Image and data integrity from the card to the timeline, with looks built on set to survive the finish.
Overview
On-set color is where the look is committed and the footage is protected. We manage the signal path, build show LUTs that hold through the grade, and keep redundant, verified copies of every card from the moment it leaves the camera.
Capabilities
- Signal path and color space management
- On-set look development and show LUTs
- Dailies generation and color-managed proxies
- Redundant offload and verified checksum backups
- Metadata and report generation
- Editorial assembly handover
Workflow
- 01
Setup
Signal path, color space, and redundancy scheme locked before the first take.
- 02
Capture
Live grading and look management with verified offload of every card.
- 03
Dailies
Color-managed proxies and assemblies generated with metadata intact.
- 04
Handover
Structured turnover to editorial, color, and archive.
Deliverables
- On-set LUTs
- Dailies and proxies
- Verified backups
- Camera reports
Related work
Recent projects
Related services
Often paired with
Corporate & Commercial Content
Professional corporate and commercial marketing and internal materials, produced end to end with efficient and easy management.
Staffing · Insurance · Direction
Color & Finishing
Color correction, grading and mastering in a calibrated reference environment.
HDR & SDR grading · Power Windows · Mastering · QC
Start a project
Planning dit & on-set color?
Tell us about the work. We will tell you honestly what it takes to make it, and what it should cost.
